Bringing computational research into creative industries

An article based on this project, "Applied Digital Humanities and the Creative Industries in the United Kingdom" By Smithies, Atkinson, and Hall, is now available in Issue 16.2 of Digital Humanities Quarterly

As the project evolved, changing priorities and deadlines led Elliott Hall to take on a more creative role, becoming the primary writer, as well as designing new logical structures inside Charisma to adapt its workflow for use as a plugin inside Unity, while working with Emily Bailey and Oscar Lindström of To Play For on the demo's gameflow.

As a result of this change in responsibilities, he identified issues as a writer that he then helped solve as a developer.  As an example, in order to better test the narratives he was creating, he developed a tool to automatically run a set of player responses, effectively creating a unit test for the story.  He then used this tool as a writer to edit and refine the narrative paths inside the AI-driven system.

The project created two showcase demos using Charisma and Unity to refine the Charisma platform: For King & Country and The Kraken Wakes.

In 2018, To Play For and Parabolic Theatre partnered to create a Unity game based on Parabolic's immersive theatre show For King and Country. This collaboration became the first test case for the AI & Storytelling project. The audience - which forms a rump parliament in the show - was replaced by AI characters created in the Charisma system. The project experimented with the role of memory in persistent storytelling by creating AI characters that interacted with the player, mis/remember what they'd said; lie and remember when they were lied to.

Elliott continued in these roles when the project's focus moved to a new demo, an adaptation of John Wyndham's The Kraken Wakes. The structures developed during the first demo were then applied and refined, with the addition of written scripts to create a dynamic combination between the Natural Language Processor of the Charisma system and shot video of actors playing the AI character roles.

The project also held three workshops to build relationships with the creative industries and test their ongoing work.  The first workshop was held with writers and narrative designers from across the creative industries to interrogate the role of memory in interactive storytelling. This work helped form the foundation of the narrative experiments in the project prototypes.  The second was an intensive playtest of an early alpha build of King & Country held with a cross-section of participants to look at interactivity, empathy, and the role of conscious and unconscious bias in the design of the AI characters in the game. The third and final workshop  built on insights gained through the project to explore models of RSE collaboration with the creative industries. It brought together leading RSEs with creative industry professionals and academics to define requirements and explore potential collaborative models. A brief keynote provocation was given by Dr Paul Meller, Associate Director of Programmes at the Arts and Humanities Research Council (AHRC) and Senior Responsible Owner for the Creative Industries Cluster Programme.

The knowledge gained from the demo creation and workshops was distilled into a series of conference papers and journal articles.  Papers on the work were given at DH 2019 in Utrecht by Elliott Hall and James Smithies, and the 4S conference in New Orleans by James Smithies.  Two forthcoming journal articles - 'AI Authorship – from evangelism to pragmatism' by Sarah Atkinson, and ‘Applying AI to Storytelling: Applied Methods in University - Technology Sector Collaboration’ by James Smithies, Elliott Hall, and Sarah Atkinson - are currently being produced.